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Willis Alan Ramsey with Robert Cline, Jr.

  • 2031 Perkins Rd Baton Rouge, LA 70808
  • Zeeland Street Market
  • May 23, 2020
  • Time: 7:00 PM to 9:00 PM
  • Price: $30 Regular Seats in advance, $40 at door, ​$50 VIP Seats in advance​
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Over 40 years after the release of his wildly influential self-titled album on Leon Russells seminal Shelter Records, Willis Alan Ramsey returns to touring in advance of a long-anticipated follow-up.

Ramseys debut in 1972 earned scores of accolades from artists ranging from The Allman Brothers to Shawn Colvin. The album was mined by many artists for their own projects and performances, including Jimmy Buffett (Ballad of Spider John), Jimmie Dale Gilmore (Goodbye Old Missoula), Shawn Colvin (Satin Sheets), Captain & Tennille (Muskrat Love/Candlelight), Jerry Jeff Walker (Northeast Texas Women), Waylon Jennings (Satin Sheets), New Grass Revival (Watermelon Man), and many more.

Since that landmark first release, Ramsey has toured only occasionally, spending time instead with his family, honing his craft in Austin, Nashville and London, educating himself in the science of audio recording and composing new songs, some of which will appear on his upcoming album, Gentilly. His new songs have received critical acclaim as well, including Lyle Lovetts recordings of Sleepwalkin, North Dakota and Thats Right (You're Not From Texas), co written with his wife, Alison Rogers, as well as Eric Clapton's recent recording of Willis Positively.

Ramsey's infrequent personal appearances always garner excitement among some of the top critics in the country as well as from his fellow artists.

His cozy, orderly, tiny-detail songs express a willful turnabout from hippie chaos, a visceral reaction particular to the early 1970s, wrote Ben Ratliff for The New York Times. His songs are sweet, emotionally guarded and often musically complex, fitting strains of melody together that seem as if they ought not connect, expertly using rhythmic displacement as the words and chords unspool. Perfection is terrifying, and some of these songs felt spooky.

 
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