"Jazz is Creole music," says Charles who was born in Trinidad, relocated first to Florida and then New York to further his jazz studies (graduating, respectively, from Florida State's and Juilliard's jazz programs) and today teaches jazz trumpet at Michigan State University. "As a person in the new world, I've been influenced by so much music. And my family has a mixed background, with French Caribbean, Spanish and African roots as well as Venezuelan influences. I come from a fusion of rhythms, a fusion of cultures. That's what this album is all about: focusing on soul music that is Creole at heart."
As befitting an artist who excels with such a diversity of musical styles, Charles has performed with a range of musicians, from Roberta Flack, Rene Marie and David Rudder to Wynton Marsalis, Johnny Mandel, the Count Basie Orchestra and Maria Schneider. He also worked with steel pan all-star Len "Boogsie" Sharpe as well as jazz masters Frank Foster and Benny Golson.
Charles was taught by one of his mentors, primo jazz pianist and Florida State professor Marcus Roberts, that "going backwards is the only way to go forward." So, while the 10-song Creole Soul is steeped in the jazz tradition, the spirit of the Caribbean also drives it. The young trumpeter, in addition to composing six originals, delivers his unique spin on Creole-oriented tunes from past masters, ranging from Bob Marley to Thelonious Monk. The album—at turns, rootsy, spicy and grooving—features at its core Charles' crisp trumpet intonation and his lucid melodic lines. Joining the leader for the Creole music adventure is Charles' band, comprised of tenor saxophonist Jacques Schwarz-Bart, alto saxophonist Brian Hogans, Kris Bowers on piano and Fender Rhodes, bassist Ben Williams and drummer Obed Calvaire. Guests include vocalist Erol Josué, guitarist Alex Wintz and percussionist/vocalists Daniel Sadownick and D'Achee.